Wednesday, February 13, 2019

The Writing of Arab Female Novelists :: Culture Cultural

The Writing of Arab Female NovelistsThe Story of Arab women novelists reflects, in creationy ways, the story ofmost women in different disciplines it is the story of superabundant creativity with very few rights or sometimes no rights at all. It is thestory of a group of women who were absented from the literary scene s implicatebecause their creativity and attitudes proved to be different from mens,who were and still atomic number 18, the mainstream and the only arbiters who decidewhat is literally valuable and what is not. It is a story that went onunnoticed for a blow years because, as men related it, there was only angiotensin converting enzyme version of the official history of Arabic literature.In the recent half-century, Arab charr spellrs have acquired a distinctiveposition in the field of literature, with an lofty richness,diversity and creativity in their writing. Woman novelists lead the reignof storytelling flat just as they did right at the beginning. The firstAra b novel was written by a woman, fifteen years sooner any Arab man triedhis hand at this literary genre. Hush al Awaqib, by Zaynab Fawaz, waspublished in 1899. For them, storytelling was a way of self-expression,and individualism. The intention is not to imply that it is genderdifference itself that determines the nature of literary creation, on thecontrary, it underscores differences in experience, differences that armanifested in literature. But it is often viewed that individualistic whole works by umpteen woman writers can be read as feminist in the context of Arabculture. This culture denotes that values such as collective ethnical andreligious identity conformity behaviors are caught up in the major powerstructure. Therefore, feminism is also institutionalized in these values.Other criticisms in deliberate to womens novels are that they their workswere merely an extension of their bodies, that the heroines in the textare representatives of themselves. Another criticism wa s that the subjectsand issues the women writers dealt with could not possibly be of any familiar interest due to the fact that the majority of the works were aboutlove, family and children and reflected the restricted world they livedin. Even other women critics dissociated themselves with womens worksand concentrated on the works of men instead.But the truth is that not only were women the first to write novels inArabic, they were also the first to deal with major issues, even beforemen addressed them. Also, evidence from works such as Liyana Badrs ABalcony of the Fakhani demonstrate beyond any doubt that Arab womennovelists were intensely involved in the social and political concerns of

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